Sheer fabric gives traditional relaxed Roman shades a more modern look in a Tribeca apartment designed by Studio DB.

MATTHEW WILLIAMS

The Designer’s Guide to Choosing Window Shades

From soft to structured to shirred, see how our favorite decorators dress their windows in style.

September 8, 2025

Roman or Austrian? Folded or relaxed? If you’re daunted by the vast lexicon of window shades, our primer will help guide you through the essential varieties that designers reach for when it’s time to pull the cord.

Structured Roman

FRANÇOIS HALARD/TRUNK ARCHIVE

Structured Roman shades feature sewn-in horizontal dowels to ensure that they hold their shape whether raised or lowered, making them a fit for clean-lined spaces like Jacques Grange’s Paris apartment.

Relaxed Roman

WILLIAM WALDRON

For her daughter Astrid’s bedroom, designer Kristin Ellen Hockman chose relaxed Roman shades in ivory linen. “I didn’t want anything heavy that would compete with her canopy bed,” says Hockman.

SAM FROST/REPRINTED FROM THE WORLD OF PETER DUNHAM

Peter Dunham matched shade fabric and wallpaper (both by Lake August) in a client’s office; an extra lift cord in the middle of the double-width Roman shade prevents it from sagging too much in the center.

Soft-Fold Roman

FRANÇOIS HALARD/TRUNK ARCHIVE

Looped pleats give these soft-fold Roman shades (also known as hobbled Romans) a voluminous silhouette even when lowered, as seen in this Upper East Side living room designed by Stephen Sills.

Flat Roman

KIRSTEN FRANCIS

The uninterrupted design of a flat Roman shade makes it a perfect partner for large-scale prints like the Sarah Vanrenen floral that Georgia Tapert Howe used in this cozy bedroom nook.

Austrian

FRANÇOIS HALARD/TRUNK ARCHIVE

Horizontally gathered panels give Austrian shades a sense of formality; here, Stephen Sills used an airy blue silk and kept the swags to a minimum, creating a single sweep of fabric for an ethereal effect.

London

FRANÇOIS HALARD/TRUNK ARCHIVE

Pull cords are inset several inches from the sides of a fabric panel to create the gathered fishtail effect of a London shade, which Suzanne Tucker rendered in Fortuny cotton for a warmly lit vanity area.

Balloon

PAUL MASSEY

Vertical pleats or gathers at the top header give balloon shades their extra bit of oomph; the romantic, flouncy result is a fitting partner for Flora Soames’s Dahlias fabric, which she used in her Cotswolds dressing room.

THIS ARTICLE ORIGINALLY APPEARED IN VOLUME 17 OF FREDERIC MAGAZINE. CLICK HERE TO SUBSCRIBE!