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The living area of designer Lindsay Anyon Brier’s Mill Valley, California, home showcases her love of mixing color and texture, modern art with vintage photography, and contemporary and classic furniture, including a sculptural 1960s wicker settee by Isamu Kenmochi. Sofa, Arteriors. Custom onyx coffee table, leather-wrapped bookcases, and midcentury chair, Anyon Atelier. Woven color-block canvas by Ethan Cook. Photograph over fireplace by Michael Gaillard.

Sam Frost

A Marin County Fixer-Upper Becomes a Cali-Cool Family Home

Designer Lindsay Anyon Brier transformed a diamond in the rough into a home worthy of its idyllic northern California setting.

August 13, 2024

When designer and Bay Area native Lindsay Anyon Brier and her husband, Hank, decided it was time to transplant their family (including two young sons, Hawken and Whit) from an urban landscape to greener pastures—someplace still a convenient commute to Anyon Atelier, her San Francisco–based design business and store, and his law office—it didn’t take long for them to home in on Mill Valley. Just a fifteen-minute drive over the Golden Gate Bridge in Marin County— a former hippie enclave more Eden than suburb—the village lay nestled between the towering redwoods of Muir Woods, the hiking trails of Mount Tamalpais, and the Pacific Ocean. Brier instantly fell for its artsy, small-town vibe.

The housing market, however, was tight. Acting on a hot tip that a property was about to hit the market, the couple rushed over for a sneak preview, only to find it surrounded by a high wooden fence. Undeterred, Brier had Hank lift her up to get a peek. While the house itself was nothing special, the garden was lovely: massive oaks and swaying palms, a giant fig tree, mature white camellias, incredible light. Brier could see her children growing up in that idyllic space. Here was her family’s own slice of Eden.

  • When a favorite artist, Pierce Meehan, created a play on something his mother always said—“Put love over fear,” Brier knew precisely where his piece was destined to hang: by her front door, where her kids would see it as they left the house. “When light from the skylight falls on it, sometimes you can’t see the ‘fear.’ Just the ‘love.’” Velvet bench, Anyon Atelier.

    Sam Frost
  • Brier replaced a grim, windowless little “telephone room” with a tall glass door to let in light and let children out to the backyard. The hall functions as a gallery for some of her favorite pieces. Painting by Aythamy Armas, Galerie Half. Totem book sculpture by Karen Hawkins. Ceiling light, Lambert & Fils. Wicker console, lamps, and vase, Anyon Atelier.

    Sam Frost

The vintage photo of a gleeful boy mid-dive sums up the lighthearted, joyous spirit of Brier’s aesthetic. Seating is deep and comfortable in this family-room-meets-library filled with favorite books. RH sofa. Footed plaster table, rattan ottoman, alpaca blanket and pillows, Anyon Atelier.

Sam Frost

Though it would be a challenge, Brier knew the house had potential. A brown-shingled structure originally built in 1981, it had passed through many hands and undergone some ill-conceived alterations in the intervening years, resulting in a rabbit warren of small, gloomy rooms downstairs that made no coherent sense. “One of the hardest things about being a designer,” Brier explains, “is that I could envision ten different ways we could have gone with this house.” But for that garden, and her family, her way forward was clear. “I wanted a bright and breezy indoor-outdoor space, contemporary, art-filled,” she explains. She’d furnish it with favorite pieces, a mix of antique and modern, many bought for her store that she couldn’t bear to part with. Case in point: a rare, 1960s sculptural wicker settee by Isamu Kenmochi.

  • Where some designers might have placed a breakfast nook, Brier arranged the sink and appliances so she could enjoy the “epic views” while cooking. Rocky Mountain Hardware. Waterworks faucet. Marble lamp and Owo ceramic planters, Anyon Atelier.

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  • Brier opted for sleek, minimal cabinetry with an Arabescato marble backsplash in the sightline of the great room. Smaller appliances are stowed in the counter-to-ceiling cabinet. Serge Mouille ceiling light. Counter stools, vase, and vintage Moroccan Tamegroute candlesticks, Anyon Atelier.

    Sam Frost

The dining room is a study in texture: On a sisal rug, an oval midcentury cherry table is home to ceramic vessels by Giselle Hicks. On the wall, artist Mary Little shaped this sculptural piece from heavy unbleached canvas in tribute to her native Northern Ireland countryside. “Although,” says Brier, “it reminds me of an angel’s wing.” Pendant light, Stephen Antonson. Wallcovering, Gregorious Pineo. Abaca rug, Stark. Chairs, dining table, and plaster pedestal, Anyon Atelier.

Sam Frost

“I told my husband we’d be doing a small renovation, but,” she admits, “it was massive.” Also green: Solar panels on the roof. White stucco walls, seven inches thick, to capture the sun’s warmth during the day and release it during the cool of a Mill Valley night, a time-honored passive heating system. Another earth-friendly boost was the recycled denim insulation, a non-toxic and undoubtedly San Francisco-hippie-approved choice.

“It feels so luxurious to have a fireplace high enough to enjoy from bed,” says Brier of the primary suite. “Also, you see the trees through all the windows, which I love. It feels like a treehouse.” Bed, RH. Bedding, Parachute. Desk, Anthropologie. Vintage desk chair, shearling ottoman, Anyon Atelier.

Sam Frost

Mill Valley’s strict building codes make it difficult to enlarge a home, but Brier had correctly surmised that because the first floor was twice the size of the second, the upstairs could be bumped out to equal the lower floor’s square footage. Thus three bedrooms became four, with enough space left over to accommodate a laundry room, another bath and generous closets in the new primary suite. The maze of downstairs rooms, some sunken, some not, got leveled up and broken open to expand and unify the living room and kitchen and create a new, art-friendly hallway that runs from the front of the house to the back. There, she carved out a doorway and designed a three-paneled glass door framed in black, for a seasonally-changing triptych of the garden vista beyond. To further embrace nature and flood the home with more light, new windows went in throughout and ceilings got kicked up to the roof to accommodate skylights wherever possible. “I love standing at the kitchen sink,” Brier says, “and looking up at the skylight where the oak trees and the palms meet over the top.”

Her daughter’s love of all things animal inspired the jungle motif in Yardley’s room. Via the lucky coincidence of sharing a name, Brier discovered Brier & Byrd, designers of the Palms wallpaper—the perfect backdrop for a vintage metal palm tree formerly in the dining room. RH bed. Bedding, lacquer table, and bookcase, Anyon Atelier. Rug, Serena & Lily.

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The greatest challenge of the three-year-long redo? Partway through the process, Hank suffered a near-fatal skiing accident and lay in a coma for weeks. “I had to put the renovation on hold for a while. I was stretched pretty thin,” Brier admits. But thankfully, her husband recovered. Life—and work—began anew. More than ever, she committed to creating “a happy space where our children would feel safe and comfortable.” It worked. The family settled in, grew, and welcomed another member to their ranks: daughter Yardley, now six years old.

  • Come summer, the boys attend a surf camp just down the road on Stinson Beach. What could make that enviable situation even better?  A refreshing post-ocean rinse in their home’s outdoor shower, enjoyed here by Whit. Showerhead, Outdoor Shower Company. Ottoman, Anyon Atelier.

    Sam Frost
  • To refresh the garden, landscape designers Terremoto played with textures like these spiky lomandra grasses to contrast with the soft white camellias. A path of concrete pavers leads the eye to the garden shed, given a facelift with white paint, wood flooring, and electricity. “Now it’s the Lego shed,” jokes Brier, shown here with daughter Yardley and pup Satchel.

    Sam Frost

Where a relic from another era of California outdoor decor—the hot tub—once stood, Brier, in collaboration with landscape firm Terremoto, created a charming dining nook. It’s shaded by a pergola draped with a native California grapevine. Hanging light, Anyon Atelier. Dining table, Design Within Reach. Chairs, Serena & Lily.

Sam Frost